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The new music came via Hong Kong and Taiwan. One of the most famous Taiwan singers was Hou Dejian. Hou moved to the mainland in 1983 in search of his roots. He was the first pop star to appear on national television.

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Many people in Beijing felt it in those days of protest: the sense of being lifted out of their daily drudgery by a cause greater than themselves. Maybe, now, through real democracy, a perfect society was possible.

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There was a heightened sense of community, of giving, of shared sacrifice. It was said that even the thieves had gone on strike for the common good.

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In the vast square, in this space designed to make the many feel as one, a space dedicated to the manufacturing of public life, the personal gesture now became significant, each small act of generosity seeming to prophesy a new way of living together, a new civility. It was a feeling as intense as it was transitory.

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Faced with a territory and a population to govern, the student leaders on the square found themselves recreating in miniature all the real-life problems of having and holding power.
"External" threats of government repression meant enforcing "internal" security.
Disagreements with the leadership were labeled "betrayal," "sabotage" by the familiar "small handful of plotters."
Struggles between the groups vying for power in the square grew increasingly ugly.

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